Distribution. Promotion. Label development. The full infrastructure of a major label. Built from nothing. No investors. No compromise.
Groningen, Netherlands
Josh Brust and Jeroen Dekker started as musicians. Not executives. Not investors. Artists who went through every disappointment the industry has to offer.
Labels rejected us for not fitting a genre box. Promo companies took our money and delivered fake streams. Distributors promised editorial support and disappeared. We decided to build the companies we wished had existed.
Not one company. Three. Each one born from a specific failure we experienced firsthand. That is why they work. Every product, every policy, every rate is designed by people who know exactly what it feels like to be on the other side of a bad deal.
We started with a drum kit. Sold it for €500. Used every cent to release our first song and reinvested every royalty that came back. No label. No investors. No shortcuts.
We reinvested every royalty. Every time. Across every artist and release. That is what built Actuation Group into a $25 million operation by Q4 2025.
The methodology is not theory. It is a track record. And it is repeatable.
Most artists and labels who find us have already been burned. They have paid for streams that turned out to be fake, for campaigns that did nothing, for distribution deals that locked up their masters.
We have been there. That is not a tagline — it is the founding story of every company in this group. We built Actuation Group because we went through the same thing. Every company in this group exists because of a specific failure we experienced and refused to repeat.
We do not make promises we cannot keep. We do not lock artists into deals that do not serve them. And with no outside investors, that will never change.
Across the music industry, companies with hundreds of millions in venture capital and private equity backing market themselves to artists as the independent alternative to the majors.
They are not independent. Their deal structures are shaped by investor return targets. Their long term decisions are made by people who have never listened to a single one of their artists.
We have taken no outside funding. Ever. Every decision Actuation Group makes is accountable to one thing only: the artists and labels we work with. That is not possible when you have investors to answer to. It never is.
GYMBRO did not exist before 2024. No streams, no audience, no label history. We built them from the ground up through Actuation — our label — using the full group infrastructure.
Within their first year, their debut release had gone 4x platinum and 10x gold, driven by 100 million streams on a single track and significant viral penetration across dozens of countries in the EU.
This is what the Actuation Group pipeline looks like when it operates as designed. Not a one-off. A methodology. Applied to over ten platinum and gold artists across our roster.
Each company was built to solve a specific problem we experienced firsthand as artists. Together they form the only vertically integrated independent music infrastructure of its kind.
Most artists work with a distributor, a marketer, and a label. Three separate relationships, three separate agendas, and zero coordination between them.
Actuation Group controls the entire journey. From first release to platinum record. Under one roof, with one aligned interest.
No handoff friction. No conflicting incentives. Everything compounds because everything is connected.
No funding rounds. No accelerators. No inheritance. Two musicians who got burned by the same industry they loved, and built what should have existed all along.
10+ platinum and gold artists. Millions in royalties paid annually. A track record built on repeatable, meaningful success. Not lucky breaks. Choose the path that fits where you are.
In a world where AI can generate infinite music, authenticity is the only thing that cannot be replicated. Real artists with real stories and real fans are worth more now than ever. That is what we build.